Paul Purgas is a London based artist and musician working with sound, performance and installation. Originally trained as an architect he has presented projects with Serpentine, Tate, Kettle’s Yard and Spike Island. His written output includes essays for the Unsound:Undead collection published by Urbanomic/MIT Press and contributions to the critical journal Audimat. Recent curatorial work has been the Open Sound programme for Outpost and guest curating Wysing Arts Centre’s annual festival. He is one half of the electronic music project Emptyset working with electroacoustic and computer music, broadcasting and spatialised sound, presenting commissions with the Architecture Foundation, David Roberts Art Foundation and Tate Britain’s Performing Architecture programme and recent performances including Sonic Acts, Wien Modern and Berghain for Transmediale 2020.