Meiro Koizumi

Meiro Koizumi (born in Gunma, Japan, in 1976; lives and works in Yokohama, Japan) His video installations are often based on performances and constructed scenarios, investigate the boundaries between the private and the public, a domain of specific importance to the Japanese culture. His solo exhibitions include “Dreamscapegoafuck” at MUJIN-TO Production (2019), “Battlelands” at Perez Art Museum Miami (2018), “Portrait of a Failed Silence”, MUAC, Mexico City (2015), “Trapped Voice Would Dream of Silence”, Arts Maebashi, Maebashi, Japan (2015), and “Project Series 99: Meiro Koizumi” at Museum of Modern Art, New York (2013). Recent group shows include Artes Mundi 9, National MUseum Cardiff (2021), Aichi Triennale (2019), “Leaving Echo Chember”, Sharjah Biennale 14 (2018), “Proregress”, 12th Shanghai Biennale (2018), The 9th Asia Pacific Triennale, Brisbane (2018), “Reenacting History”, National Museum of Modern and Conteporary Art Gwacheon, Korea (2017), “The Grand Balcony”, La Biennale Montréal, Montréal, Canada (2016), Jakarta Biennale, Jakarta, Indonesia (2015), and “Roppongi Crossing”, Mori Art Museum, Tokyo (2013).