Edgar Schmitz is an artist who renders escapist backdrops from film, sculpture, animation and writing.
His work was part of A.C.A.D.E.M.Y (Vanabbemuseum 2006), No Soul for Sale (Tate Modern, 2010), British Art Show 7 (Hayward Touring, 2010/11) a.o., and has been presented in solo exhibitions at ICA, London (with Liam Gillick, 2006), FormContent (London, 2010), Cooper Gallery (Dundee, 2012) and Himalayas Art Museum (Shanghai, 2015).
Schmitz has also written extensively on contemporary art, with contributions to Kunstforum international, Texte zur Kunst and artforum as well as contemporary, tema celeste and numerous catalogue essays, including texts on Rainer Werner Fassbinder and Phil Collins, on Brian Jungen’s animalities, on humour in Deleuze and Slominski, and on Sarah Morris’LA.
His Hubs and Fictions book (with Sophia Hao) was published by Sternberg Press in 2016.
He is currently working on Alovestorysomewherearound2046 (with Pieternel Vermoortel), Choreographic (with Mårten Spångberg), Animate Assembly (with Verina Gfader and Esther Leslie) and Imminent Futures (with Sophia Hao).