Past Event

Curators’ Workshops: Sharjah Biennial

Curators’ Workshops: Sharjah Biennial


The Curators’ Workshops at the 2009 Sharjah Biennial were part of the larger Middle East Programme funded by the World Collections Programme (WCP). The workshops took place as part of second stage of the project, following on from a period of travel and research undertaken by Tate curators and the Middle East Symposium held at Tate Britain and Tate Modern in January 2009. These workshops were a collaboration between Tate, Sharjah Biennial and ICF.

All three workshop sessions, taking place on the terrace of Shamsi House, were closed to the public and included around 26 emerging curators from the Middle East region and the UK. Each session lasted for around 2 hours, and was chaired by Judith Nesbitt, Frances Morris and Mark Waugh respectively. The sessions began with contributions (in the form of a short talk) from two or three of the participants.

• To provide a forum for emerging curators from the Middle East and the UK to discuss shared issues and differences
• To provide an opportunity to develop relationships, networks and friendships

Curators from the Middle East Region: Ala’ Younis, Didem Ozbek, Osman Bozkurt, Hassan Darsi, Mayssa Fattouh, Wassan Al Khundhairi, Shahira Issa, Latifa Bint Maktoum, Haig Aivazian, Reem Fadda and Reem Shilleh 

Curators from the Tate: Kyla McDonald, Judith Nesbitt, Sheena Wagstaff and Frances Morris

Curators from the UK selected by ICF as part of an open call: Andrea Schlieker Jiyoon Lee, Elisabetta Fabrizi, Loura Mousavi, Paul Domela, Yasmina Reggad, Julia McClinton and Paula Orell

Organisers: Gilane Tawadros, David A Bailey, Mark Waugh and Alex Whitfield

Session 1: Tuesday 17 March
Commissioning and presenting artists and artworks – the process of commissioning artists and artworks and curating exhibitions of contemporary art from concept to realisation.

Session 2: Wednesday 18 March
Building institutions and collections – from building capital infrastructure and developing acquisitions strategies to developing an organisation’s intellectual capital.

Session 3: Friday 20 March
Dialogue and exchange – the relationships between institutions and audiences, between the private and the ‘public’ sectors and between the national and international.

Black Diaspora Visual Art

Black Diaspora Visual Art 

Symposium, Exhibitions & Film Presentations


Held in Barbados on the 13 & 14 February 2009, this programme was presented by the Barbados National Art Gallery Committee in collaboration with International Curators Forum and Aica Southern Caribbean with funding from Arts Council England.

As part of the planned events marking the Abolition of the Trans-Atlantic Slave Trade, the National Art Gallery Committee invited curator David A. Bailey MBE to organise a series of symposiums and exhibitions that explore visual art in the Black Diaspora. A number of leading scholars, curators and artists who have made key contributions in this area were invited to Barbados to participate in a dialogue with the local/regional Caribbean community. It was envisioned that this event would provide an opportunity for the Barbados art community and wider local audience to participate in the discussions and present contemporary Barbadian art and artists to a panel of distinguished experts in related fields.

The programme included a public symposium, which took as its starting point Stuart Hall and the question he poses in his essay called Modernity and its Others: Three “Moments” in the Post–War History of the Black Diaspora Arts. The essay offers an analysis of three ‘moments’ in the post-war black visual arts in the UK. The main contrast identified is between the ‘problem space’ of the artists–the last ‘colonials’–who came to London after World War II to join the modern avant-garde and who were anti-colonial, cosmopolitan and modernist in outlook, and that of the second generation–the first ‘post-colonials’–who were born in Britain, pioneered the Black Art Movement and the creative explosion of the 1980s, and who were anti-racist, culturally relativist and identity-driven. In the work of the former, abstraction predominated; the work of the latter was politically polemical and collage-based, subsequently embracing the figural and the more subjective strategy of ‘putting the self in the frame’. This generational shift is mapped here in relation to wider socio-political and cultural developments, including the growth of indigenous racism, the new social movements, especially anti-racist, feminist and identity politics, and the theoretical ‘revolutions’ associated with them. The contemporary moment – less politicised, and artistically neo-conceptual, multi-media and installation-based– is discussed more briefly.

The symposium set out to explore some of these themes in Hall’s paper with particular reference to their applicability to the contemporary Caribbean context and the relationship of the contemporary moment to earlier developments. Questions included:

Is there a Caribbean canon?
Can we discuss a Caribbean aesthetic in the 21st century?
What are the institutional models?
How do we identify the different ways forward?

The Symposium took place at the Frank Collymore Hall in Bridgetown in conjunction with a number of site-specific artists’ projects throughout the island. 

Keynote Lecture: Stuart Hall

 in dialogue with David A. Bailey MBE

Produced by Gary Stewart and Trevor Mathison

Symposium and Exhibition Photos

Symposium Programme 

Day 1 – Friday February 13th, 2009

Welcome address: Alissandra Cummins (GCM, Chairperson National Art Gallery Committee, Director of the Barbados Museum), Dr. Jeannine Comma (“Lesley’s Legacy”), Steve Blackett (Minister of Community Development and Culture) and David A. Bailey MBE (International Curator’s Forum and Senior Curator, Autograph ABP)

Keynote address: Stuart Hall (Cultural Theorist, Professor Emeritus, Open University, London)
in dialogue with David A. Bailey MBE
with a response from Professor George Lamming (Brown University) 

Panel One: Discussion of Stuart Hall’s paper and Lamming’s response
Chair: David A. Bailey MBE
Speakers: David Scott (Columbia University; Editor – Small Axe), Alissandra Cummins (NAGC)

Panel Two: Is there a Caribbean canon; can we discuss a Caribbean aesthetic in the 21st century?
Chair: Allison Thompson (NAGC, Barbados Community College)
Speakers: Veerle Poupeye (Edna Manley College of the Visual and Performing Arts, Jamaica), Krista Thompson (Northwestern University, Illinois) and Leon Wainwright (Manchester Metropolitan University)

Film Presentation: Kara Walker with Teka Selman

DAY 2 – Saturday February 14th, 2009

Panel Three: Past experiences, institutional models and exploring the different ways forward
Co-Chairs: Richard Powell (Duke University North Carolina Lowery Sims: Museum of Arts and Design, New York), Dominique Brebion (AICA SC), Christopher Cozier (Artist – Trinidad), Paul Domela (Programme Director, Liverpool Biennial), Erica James (Director National Gallery Bahamas) and Andrea Wells (NAGC, NCF)

Closing Remarks: David Scott

Exhibition Tours, Bridgetown
Ewan Atkinson and Ingrid Persaud – Grande Salle, Frank Collymore Hall
Arthur Edwards and Frances Ross – West Wing, Parliament Buildings
Indrani Gall – Central Post Office
Joscelyn Gardner – Public Library
Caroline Holder – Grande Salle, Frank Collymore Hall
Trevor Mathison and Gary Stewart – West Wing, Parliament Buildings
Ingrid Pollard – West Wing, Parliament Buildings
Sheena Rose – Collins Pharmacy, Broad Street; Grande Salle, Frank Collymore Hall

Queen’s Park Gallery and Zemicon Gallery – “The Road to Many: Towards A Genealogy OF Barbadian Art”

Reception hosted by International Curators Forum

Film and Discussion: Alfredo Jaar and David A. Bailey MBE

Download the original programme