Events

I am a heart beating in the world: Diaspora Pavilion 2, Sydney

I am a heart beating in the world

Diaspora Pavilion 2, Sydney

1. Zadie Xa, Child of Magohalmi and the Echoes of Creation (2019), video still, commissioned for Art Night London 2019. Image: Benito Mayor Vallejo. 2. Leyla Stevens, Safe Passage (2013), Colour Prints and Text.

I am a heart beating in the world: Diaspora Pavilion 2, Sydney is an exhibition and the first of a series of peripatetic international events that culminate in ICF’s Diaspora Pavilion 2 project. 4A Centre for Contemporary Asian Art is collaborating with ICF to present this unfolding series that will interrogate and complicate the term diaspora across various curatorial formats in Sydney, London, Venice and online. I am a heart beating in the world presents the navigations, imaginings and lived experiences of diasporic subjectivities through the works of six artists based in Australia, the UK and Caribbean: Abdul-Rahman Abdullah, Kashif Nadim Chaudry, Lindy Lee, Leyla Stevens, Zadie Xa and Daniela Yohannes.

Curated by Adelaide Bannerman, Mikala Tai and Jessica Taylor, the exhibition will take place on the land of the Dharawal people at Campbelltown Arts Centre in Western Sydney, Australia from 22 May to 25 July 2021.

Understanding diaspora as a distinct sometimes provisional experience nuanced economically, historically and regionally I am a heart beating in the world is as much an exhibition as it is a research project, underpinned by fieldwork and reviews of how artists, curators, theorists and institutions engage with diaspora as a topic.

4A’s biannual 4A Curators Intensive will be held alongside the exhibition, bringing together early-career Australian and UK-based curators in a week-long professional development program. The intensive will be facilitated in a hybrid format through workshops, lectures, site visits and discussions.

Watch video interviews between the exhibiting artists & the curators

Daniela Yohannes, A Gathering in God’s Land (2018), digital collage.

Artist Biographies 

Abdul-Rahman Abdullah (b. Port Kembla, Australia 1977 lives and works in Perth, Australia) is a sculpture whose practice explores the different ways that memory can inhabit and emerge from familial spaces. Drawing on the narrative capacity of animal archetypes, crafted objects and the human presence, Abdullah aims to articulate physical dialogues between the natural world, politics and the agency of culture. Recent exhibitions include The National, Museum of Contemporary Art, Sydney, Australia (2019), Dark Horizons, Pataka Art + Museum, Wellington, Aotearoa New Zealand (2017) and Magic Object; Adelaide Biennale of Australian Art, Adelaide, Australia (2016).

Kashif Nadim Chaudry (b. Nottingham, United Kingdom 1976 lives and works in Nottingham, United Kingdom) is informed by his family heritage in tailoring which has influenced and focused his practice around the importance of materiality and craftsmanship. His work is characterised by the working, shaping and moulding of physical objects through the use of elaborate textile-based techniques to create monumental installations from fabric and found objects. Negotiating his identity as a British born gay man of Pakistani Muslim heritage much of Chaudry’s work questions how people choose to position themselves in the world. In relation, it is increasingly the sculptural and three-dimensional possibilities within his work that address the idea of positioning power, the sacred and the ceremonial. Recent exhibitions include Swags & Tails as part of the Asia Triennial, Manchester, UK (2014), The Three Graces, Turner Contemporary, Margate, UK (2016) and What is Home at National Trust Croome Court, Worcester (2019).

Lindy Lee (b. Brisbane, Australia 1954 lives and works in Byron Bay, Australia) has an expansive practice that explores her Chinese ancestry through Taoism and Ch’an (Zen) Buddhism – philosophies that see humanity and nature as inextricably linked. Symbolic gestures and processes that call on the element of chance are often used to produce a galaxy of images that embody the intimate connections between human existence and the cosmos. Rather than singular visual statements, they are thoughtful objects where meaning emerges from sustained meditation. Notable exhibitions include the major survey exhibition Lindy Lee: Moon in a Dew Drop, Museum of Contemporary Art (2020-2021); Lindy Lee: The Dark of Absolute Freedom, The University of Queensland Art Museum, Brisbane, Australia (2014), and the group exhibition Divided Worlds: Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide, Australia (2018).

Leyla Stevens (b. Cooroy, Australia 1982, lives and works between Bali, Indonesia and Sydney, Australia) is an Australian-Balinese artist and researcher who works predominantly within moving image and photography. Her practice is informed by ongoing concerns around gesture, ritual, spatial encounters, transculturation and counter histories. Working within modes of representation that shift between the documentary and speculative fictions, her work deals with a notion of counter archives and alternative genealogies. In 2021, Leyla Stevens was awarded the 66th Blake Prize for her work Kidung/Lament. Recent exhibitions include her solo presentations Dua Dunia, curated by Rachel Ciesla, at PS Art Space, Perth Festiva (2021), A Line in the Sea, West Space, Melbourne, PHOTO 21 Festival (2021), Their Sea is Always Hungry, UTS Gallery, Sydney, Australia (2019) and Of Love and Decomposition, Firstdraft, Sydney, Australia (2016) and group exhibitions The National 2021, Art Gallery of News South Wales, Breathing Room (collaboration with Woven Kolektif), Cement Fondue, Sydney, Australia (2019), BEAUT 19, Brisbane & Elsewhere Art UnTriennial, Brisbane, Australia (2018) and the John Fries Award, UNSW Galleries, Sydney, Australia (2018).

Zadie Xa (b. Vancouver on unceded Musqueam, Squamish and Tsleil-Waututh territory 1983, lives and works in London, UK.) produces work informed by her experiences within the Korean diaspora, as well as the environmental and cultural context of the Pacific Northwest. Forces of distance and relation—familial, cultural, spiritual—shape her constantly evolving notions of self. Her work often features garments, including cloaks and masks, used for performance, protection or ceremony. Xa’s practice is highly collaborative, and she has developed ongoing exchanges with dancers, musicians and actors. Since 2006, Xa has worked closely with artist Benito Mayor Vallejo. Recent solo projects include, “Moon Poetics 4 Courageous Earth Critters and Dangerous Day Dreamers”, Remai Modern, Treaty 6 Territory and the Homeland of Métis, Saskatoon Canada (2020-21), “Child of Magohalmi and the Echoes of Creation”, De La Warr Pavilion, Bexhill-on-Sea, UK (2020), Art Night London 2019 and “Meetings on Art” performance program for the 58th Venice Biennale 2019. Xa was one of the recipients of the Sobey Art Award in 2020, which for the first time was awarded to all 25 nominees.

Daniela Yohannes (b. 1982, lives and works in Guadeloupe in the French Caribbean) uses her own Ethiopian-Eritrean heritage as a lens in her work to reflect upon the racialised movement and conditional belonging of African diaspora. Through abstract portraiture and storytelling across multiple media, Yohannes explores the overlap of individual and collective subconscious and desire, and the destruction caused by displacement. Her work dwells on alternative Black realities, considering the bonds between herself, her family and other communities through magical symbolism. By embracing forms of hybridity and considering the artefacts of diaspora as a means of travel in themselves, she has built a dedicated interdimensional machine from emotionally charged objects.

Blue Skies: A Conversation Series


Blue Skies – A Conversation Series

Jillian Mayer - You'll Be Ok (2014)

Earlier this year, during the height of the global pandemic and mandatory isolation, ICF sought to continue contact with and support of its network in myriad ways – one of which was a new strand of activity titled Blue Skies.

Initiated as a conversation series, Blue Skies fostered one-to-one and group conversations led by practitioners working across multiple disciplines on a proposed topic that could take into account the immediate and long-term impact of Covid-19 upon creative practice, personal and/or public life.

If participants also felt it possible, we welcomed speculations and encouraged hearing about identifications of foreseeable changes that they would like to pragmatically cohere – the parameters constituting what those desired changes were or could be, left open for interpretation. In the midst of (and exacerbated by) the Covid-19 lockdown, the world was also confronted with the glaring reality of the inequalities embedded in our societies, which several participants in the conversation series have chosen to address in their analysis of our current moment and possible futures.

Blue Skies commences with 14 conversations from participants based in Africa, Australia, Europe, India, South America, the United Kingdom, and the United States of America, to be published in different audio-visual formats supported with closed captioning and downloadable transcripts between July and September 2020. These and future conversations will form a public, collective dialogue around the capacity for this moment to elicit change.

Image: Jillian Mayer, You’ll Be Okay video still (2014). Courtesy of David Castillo Gallery.

Vidisha Fadescha & Jyotsna Siddharth

have produced a conversational album titled 'Walking Upon Bodies,' in which they speak of individual preoccupations, precarities and vulnerabilities, while drawing attention to the macro systems that govern human beings in India.

Vidisha Fadescha & Jyotsna Siddharth

have produced a conversational album titled 'Walking Upon Bodies,' in which they speak of individual preoccupations, precarities and vulnerabilities, while drawing attention to the macro systems that govern human beings in India.

Rubiane Maia & Tom Nóbrega

reflect on being unable to get back to their homeland Brazil during the Covid pandemic and try to find some resonance amidst the overwhelming amount of information floating through the virtual space.

Rubiane Maia & Tom Nóbrega

reflect on being unable to get back to their homeland Brazil during the Covid pandemic and try to find some resonance amidst the overwhelming amount of information floating through the virtual space.

Rujunko Pugh & Marie-Therese Png

hold a conversation between their respective locations in Sydney, Australia and Oxford, UK about Afro-Asian perspectives, reflecting on this historic period of COVID-19 and BLM.

Rujunko Pugh & Marie-Therese Png

hold a conversation between their respective locations in Sydney, Australia and Oxford, UK about Afro-Asian perspectives, reflecting on this historic period of COVID-19 and BLM.

Simina Neagu, Valentina Bin & Andrea Phillips

speak about methodologies and practices for self-organisation in the UK arts sector, the future of art education, devaluation, de-professionalisation and rethinking art institutions as community centres.

Simina Neagu, Valentina Bin & Andrea Phillips

speak about methodologies and practices for self-organisation in the UK arts sector, the future of art education, devaluation, de-professionalisation and rethinking art institutions as community centres.

Season Butler & Françoise Vergès

are writers based in Germany/UK and France respectively. Their collaboration explores the potentials of truly internationalist, feminist, intersectional solidarities through dialogue and poetry.

Season Butler & Françoise Vergès

are writers based in Germany/UK and France respectively. Their collaboration explores the potentials of truly internationalist, feminist, intersectional solidarities through dialogue and poetry.

Jamila Johnson-Small & Giorgia Ohanesian Nardin

discuss the embodied emotional and psychic impact of conservatoire dance training and their wider research into marginalised forms of knowledge production and strategies for holding space without violence and cringe.

Jamila Johnson-Small & Giorgia Ohanesian Nardin

discuss the embodied emotional and psychic impact of conservatoire dance training and their wider research into marginalised forms of knowledge production and strategies for holding space without violence and cringe.

Naima Hassan & Anisa Daud

present a conversation on workers, wellbeing and care infrastructures in Nairobi and Oxford through an initial dialogue between the authors and six conversations with workers in both cities.

Naima Hassan & Anisa Daud

present a conversation on workers, wellbeing and care infrastructures in Nairobi and Oxford through an initial dialogue between the authors and six conversations with workers in both cities.

JAŠA Mrevlje-Pollak & Gorazd V. Mrevlje

are an artist and a psychiatrist, and a son and a father, whose conversation is a reflection on their relationship and recent events in Ljubljana, Slovenia.

JAŠA Mrevlje-Pollak & Gorazd V. Mrevlje

are an artist and a psychiatrist, and a son and a father, whose conversation is a reflection on their relationship and recent events in Ljubljana, Slovenia.

Khaleb Brooks & Naeem Davis

are an artist and cultural curator based in London, UK. They will discuss the necessity for creating and nurturing ecologies of knowledge and support for the Black Trans community with a specific focus on trans masculinity.

Khaleb Brooks & Naeem Davis

are an artist and cultural curator based in London, UK. They will discuss the necessity for creating and nurturing ecologies of knowledge and support for the Black Trans community with a specific focus on trans masculinity.

Elijah Maja & Ibrahim Cissé with Dominique White & Adam Farah

participate in an open ended conversation that threaded provocations and questions together to explore current mind-states, strategies and thoughts on care and collectivity, alongside their individual practices.

Elijah Maja & Ibrahim Cissé with Dominique White & Adam Farah

participate in an open ended conversation that threaded provocations and questions together to explore current mind-states, strategies and thoughts on care and collectivity, alongside their individual practices.

Bhavisha Panchia & Leyya Mona Tawil (Lime Rickey International)

exchange ideas around the potentials of sonic disruption and noise as response to nationhood and displacement, and migration, through a series of conversations between Johannesburg and Detroit.

Bhavisha Panchia & Leyya Mona Tawil (Lime Rickey International)

exchange ideas around the potentials of sonic disruption and noise as response to nationhood and displacement, and migration, through a series of conversations between Johannesburg and Detroit.

Alex & Rory

are the anonymised names of an artist and a researcher based in the UK who have created space for a conversation around what change is necessary for reshaping the conditions of work and living for disabled and neuro-diverse people

Alex & Rory

are the anonymised names of an artist and a researcher based in the UK who have created space for a conversation around what change is necessary for reshaping the conditions of work and living for disabled and neuro-diverse people

Aidan Moesby & Claire Doherty

discuss leadership, change and the significance of context in curating and producing.

Aidan Moesby & Claire Doherty

discuss leadership, change and the significance of context in curating and producing.

Jillian Mayer & Adelaide Bannerman

The lead-image for the Blue Skies conversation series is a still from artist Jillian Mayer’s 2014 video 'You’ll Be Okay.' ICF approached Mayer to capture her reflection on the work itself, reviewing its original intent and it’s reading in the moment of the pandemic.

Jillian Mayer & Adelaide Bannerman

The lead-image for the Blue Skies conversation series is a still from artist Jillian Mayer’s 2014, video 'You’ll Be Okay.' ICF approached Mayer to capture her reflection on the work itself, reviewing its original intent and it’s reading in the moment of the pandemic.

Blue Skies at the 2020 Fringe Arts Bath Photomarathon
 

ICF was invited to propose a theme for the 2020 Fringe Arts Bath Photomarathon, so as an extension of the Blue Skies Conversation Series we asked participants in the Photomarathon to respond to the proposal that “Blue Skies is a way of imagining the potential for change in the midst of all that we are facing as a society.” View the online exhibition of the photos submitted on the FAB website. 

The Blue Skies Conversation Series is made possible with Art Fund support 

Art360 Foundation x ICF Curatorial Residency

Hope Strickland selected as Curator/Researcher in Residence

at Art360 Foundation in partnership with International Curators Forum 


We are thrilled to announce that Hope Strickland has been selected as Curator/Researcher in Residence at Art360 Foundation working with the archive of British-Guyanese artist Aubrey Williams. The residency is designed to encourage and facilitate new and dynamic readings of Williams’ work and practice through an active engagement with the archive.

Supported by ICF, Hope will review the materials – such as exhibition documents, photographs, personal correspondence, press clippings and political documents – in the archive and develop a new strand of research and analysis over the coming months.

Hope Strickland is a visual artist and ethnographic researcher from Manchester, UK. Her interests span feminist ecologies, the Black radical imagination and archival response: previous projects include an experimental documentary with the Windrush generation in South Manchester, using both archival materials and footage shot in a day centre for the Caribbean elderly. Hope will be commencing a practice-led PhD at UCL this September, exploring Haitian, female water deities as an opportunity for Black agency and watery resistance.

Through a nation-wide open call in May 2020 Art360 Foundation and International Curators Forum invited curators and researchers interested in engaging with and developing work around Williams’ archive to apply for the opportunity.

Born in Guyana, Williams is credited as being one of the most important post-war British painters, noted for bringing together a spectrum of visual references and cultural perspectives in his work. Trained as an agronomist, Williams held an array of interests from pre-Columbian iconography, classical music and ornithology, and was a founding member of the Caribbean Artists Movement.

Williams’ archive is currently held at Art360 Foundation in London, and work on it archive was underway before Covid-19, with documentation and reporting on the contents of the archive close to completion. Although physical access to the archive won’t be possible until social isolation measures change, Hope will utilise existing records to begin preliminary research remotely. The residency will continue with direct access to the archive at a future date and will run until February 2021.

Images: Aubrey Williams Archive (c) Aubrey Williams Estate. Photo: Art360 Foundation.