Events

Emergence(y) with Ort Gallery

Emergence(y)

From an open call, Ort Gallery and ICF have appointed 2 emerging curators to work with the organisations and selected artists on a new project called ‘Emergence(y)’ during 2022. Following the turbulent year of 2020 and the ongoing covid crisis, the curators will explore the themes of Emergence, Care and/or Warmth. They will bring their own research interests and working methodology with them and they will also decide how they want to work together or what they want to create, whether that be an exhibition, an event, something online, a partnership with another gallery, or any other format of their choosing. 

Orphée Kashala is a Birmingham based curator. His curatorial practice promotes care, inclusion, empathy, equality and understanding by telling stories that explore and challenge our collective perception of the human experience.

Since 2020, Orphée has taken on the role of Creative Producer at Maokwo(a Belgrade Theatre springboard organisation based in Coventry) as part of the young leadership programme for emerging young artists from migrant backgrounds. Currently, Maokwo have partnered with the Herbert Art Gallery and Museum, where Orphée is co-curating an exhibition exploring key national collections, co-organising artists’ lead workshops, developing project ideas and curatorial skills, whilst also co-creating a new provision for artists in Coventry. In September 2021, he curated his first exhibition titled “Survivor’s Guilt” for the Coventry Migrant Centre, as part of Coventry City of Culture; which was an exploration of the bittersweet memories and lived realities of African migrants living in the UK via photography, videography, installation and poetry.

Sarah Francis is a Leeds based Artist Curator who focuses on bringing under-recognised artists and narratives to the public, using empathy and warmth to build self-confidence in creatives left behind by the mainstream system. Fascinated by complex possibilities lying dormant in ‘familiar’ environments, setting a challenging dialogue between cultural identity and the inner worlds which we as artists manifest within our work. This conceptual framework draws parallels between artists from differing socio-cultural worlds, whose work follows similar lines in metaphysical realms. Francis’ interpretation of the curator is that of a caretaker of other worlds, working in collaboration as the tour guide and storyteller, bringing these converging manifestations to our physical spaces.

Francis’ artwork centres around her neurodiverse and queer identity, building her own language and worlds to explore and understand ‘how I made me’; a reference to an early body of work that investigated her inner trauma and re-articulation of her current self. Her work has been shortlisted for the Saatchi Gallery’s Art of Giving Prize, selected by Richard Billingham for Curator’s Choice Noise Young Talent 2009, and recognised in Aesthetica’s 100 Best Contemporary Artists in Europe. In addition to her work, Sarah Francis is the Founder and Director of Aire Place Studios, Leeds.

Artwork by Karen McLean at Ort Gallery

About International Curators Forum (ICF)
International Curators Forum (ICF) was founded by artists and curators in 2007 to offer a dynamic and evolving programme that responds to the conditions and contexts impacting creative practitioners through commissions, exhibitions, projects, publications and events. We provide tools and platforms for professional development and facilitate an open peer-to-peer network inviting participants to be part of a generative system of skills and knowledge transfer. Across all of our work, both critically and practically, we aim to challenge the barriers to equality and inclusivity within our industry.

Through all aspects of our programme we engage with diaspora as a critical framework through which we can address and complicate public discussion, test and explore new innovative curatorial models, and create space for artistic and discursive interventions into historical narratives and systems of representation. Based in London, ICF has conceived and produced projects with artists, curators and thinkers who engage with diaspora across the UK, Europe, the Caribbean, Asia, the Middle East, and Australia.

About Ort Gallery
Bridging gaps with Art and Warmth Ort Gallery is an artist-led exhibition space in Balsall Heath, Birmingham. We are on a social mission to challenge the traditional role of visual art spaces in Birmingham. We believe everyone should have access to high quality art experiences and aim to provide that standard. We contribute to making Birmingham more inclusive by actively rejecting the exclusivity often found in the visual arts sector. We celebrate the differences of all of our visitors, artists and staff for they are a part of our Ort community and inform our work. We are focused on investing in and engaging with community members of the Balsall Heath area that are often overlooked. We use our space to provide our community with art focused events, activities and volunteering opportunities. We believe that art holds transformative power for mental wellbeing, bridging community gaps and increasing employability. We believe that you are never too young, too old or too different to learn a new skill or engage with art. We are proud to provide exhibition opportunities to Black and Brown artists, those from working class backgrounds, the LGBTQ+ community and artists with disabilities.

Untitled design (1)

Blue Skies: A Conversation Series


Blue Skies – A Conversation Series

Jillian Mayer - You'll Be Ok (2014)

Earlier this year, during the height of the global pandemic and mandatory isolation, ICF sought to continue contact with and support of its network in myriad ways – one of which was a new strand of activity titled Blue Skies.

Initiated as a conversation series, Blue Skies fostered one-to-one and group conversations led by practitioners working across multiple disciplines on a proposed topic that could take into account the immediate and long-term impact of Covid-19 upon creative practice, personal and/or public life.

If participants also felt it possible, we welcomed speculations and encouraged hearing about identifications of foreseeable changes that they would like to pragmatically cohere – the parameters constituting what those desired changes were or could be, left open for interpretation. In the midst of (and exacerbated by) the Covid-19 lockdown, the world was also confronted with the glaring reality of the inequalities embedded in our societies, which several participants in the conversation series have chosen to address in their analysis of our current moment and possible futures.

Blue Skies commences with 14 conversations from participants based in Africa, Australia, Europe, India, South America, the United Kingdom, and the United States of America, to be published in different audio-visual formats supported with closed captioning and downloadable transcripts between July and September 2020. These and future conversations will form a public, collective dialogue around the capacity for this moment to elicit change.

Image: Jillian Mayer, You’ll Be Okay video still (2014). Courtesy of David Castillo Gallery.

Vidisha Fadescha & Jyotsna Siddharth

have produced a conversational album titled 'Walking Upon Bodies,' in which they speak of individual preoccupations, precarities and vulnerabilities, while drawing attention to the macro systems that govern human beings in India.

Vidisha Fadescha & Jyotsna Siddharth

have produced a conversational album titled 'Walking Upon Bodies,' in which they speak of individual preoccupations, precarities and vulnerabilities, while drawing attention to the macro systems that govern human beings in India.

Rubiane Maia & Tom Nóbrega

reflect on being unable to get back to their homeland Brazil during the Covid pandemic and try to find some resonance amidst the overwhelming amount of information floating through the virtual space.

Rubiane Maia & Tom Nóbrega

reflect on being unable to get back to their homeland Brazil during the Covid pandemic and try to find some resonance amidst the overwhelming amount of information floating through the virtual space.

Rujunko Pugh & Marie-Therese Png

hold a conversation between their respective locations in Sydney, Australia and Oxford, UK about Afro-Asian perspectives, reflecting on this historic period of COVID-19 and BLM.

Rujunko Pugh & Marie-Therese Png

hold a conversation between their respective locations in Sydney, Australia and Oxford, UK about Afro-Asian perspectives, reflecting on this historic period of COVID-19 and BLM.

Simina Neagu, Valentina Bin & Andrea Phillips

speak about methodologies and practices for self-organisation in the UK arts sector, the future of art education, devaluation, de-professionalisation and rethinking art institutions as community centres.

Simina Neagu, Valentina Bin & Andrea Phillips

speak about methodologies and practices for self-organisation in the UK arts sector, the future of art education, devaluation, de-professionalisation and rethinking art institutions as community centres.

Season Butler & Françoise Vergès

are writers based in Germany/UK and France respectively. Their collaboration explores the potentials of truly internationalist, feminist, intersectional solidarities through dialogue and poetry.

Season Butler & Françoise Vergès

are writers based in Germany/UK and France respectively. Their collaboration explores the potentials of truly internationalist, feminist, intersectional solidarities through dialogue and poetry.

Jamila Johnson-Small & Giorgia Ohanesian Nardin

discuss the embodied emotional and psychic impact of conservatoire dance training and their wider research into marginalised forms of knowledge production and strategies for holding space without violence and cringe.

Jamila Johnson-Small & Giorgia Ohanesian Nardin

discuss the embodied emotional and psychic impact of conservatoire dance training and their wider research into marginalised forms of knowledge production and strategies for holding space without violence and cringe.

Naima Hassan & Anisa Daud

present a conversation on workers, wellbeing and care infrastructures in Nairobi and Oxford through an initial dialogue between the authors and six conversations with workers in both cities.

Naima Hassan & Anisa Daud

present a conversation on workers, wellbeing and care infrastructures in Nairobi and Oxford through an initial dialogue between the authors and six conversations with workers in both cities.

JAŠA Mrevlje-Pollak & Gorazd V. Mrevlje

are an artist and a psychiatrist, and a son and a father, whose conversation is a reflection on their relationship and recent events in Ljubljana, Slovenia.

JAŠA Mrevlje-Pollak & Gorazd V. Mrevlje

are an artist and a psychiatrist, and a son and a father, whose conversation is a reflection on their relationship and recent events in Ljubljana, Slovenia.

Khaleb Brooks & Naeem Davis

are an artist and cultural curator based in London, UK. They will discuss the necessity for creating and nurturing ecologies of knowledge and support for the Black Trans community with a specific focus on trans masculinity.

Khaleb Brooks & Naeem Davis

are an artist and cultural curator based in London, UK. They will discuss the necessity for creating and nurturing ecologies of knowledge and support for the Black Trans community with a specific focus on trans masculinity.

Elijah Maja & Ibrahim Cissé with Dominique White & Adam Farah

participate in an open ended conversation that threaded provocations and questions together to explore current mind-states, strategies and thoughts on care and collectivity, alongside their individual practices.

Elijah Maja & Ibrahim Cissé with Dominique White & Adam Farah

participate in an open ended conversation that threaded provocations and questions together to explore current mind-states, strategies and thoughts on care and collectivity, alongside their individual practices.

Bhavisha Panchia & Leyya Mona Tawil (Lime Rickey International)

exchange ideas around the potentials of sonic disruption and noise as response to nationhood and displacement, and migration, through a series of conversations between Johannesburg and Detroit.

Bhavisha Panchia & Leyya Mona Tawil (Lime Rickey International)

exchange ideas around the potentials of sonic disruption and noise as response to nationhood and displacement, and migration, through a series of conversations between Johannesburg and Detroit.

Alex & Rory

are the anonymised names of an artist and a researcher based in the UK who have created space for a conversation around what change is necessary for reshaping the conditions of work and living for disabled and neuro-diverse people

Alex & Rory

are the anonymised names of an artist and a researcher based in the UK who have created space for a conversation around what change is necessary for reshaping the conditions of work and living for disabled and neuro-diverse people

Aidan Moesby & Claire Doherty

discuss leadership, change and the significance of context in curating and producing.

Aidan Moesby & Claire Doherty

discuss leadership, change and the significance of context in curating and producing.

Jillian Mayer & Adelaide Bannerman

The lead-image for the Blue Skies conversation series is a still from artist Jillian Mayer’s 2014 video 'You’ll Be Okay.' ICF approached Mayer to capture her reflection on the work itself, reviewing its original intent and it’s reading in the moment of the pandemic.

Jillian Mayer & Adelaide Bannerman

The lead-image for the Blue Skies conversation series is a still from artist Jillian Mayer’s 2014, video 'You’ll Be Okay.' ICF approached Mayer to capture her reflection on the work itself, reviewing its original intent and it’s reading in the moment of the pandemic.

Blue Skies at the 2020 Fringe Arts Bath Photomarathon
 

ICF was invited to propose a theme for the 2020 Fringe Arts Bath Photomarathon, so as an extension of the Blue Skies Conversation Series we asked participants in the Photomarathon to respond to the proposal that “Blue Skies is a way of imagining the potential for change in the midst of all that we are facing as a society.” View the online exhibition of the photos submitted on the FAB website. 

The Blue Skies Conversation Series is made possible with Art Fund support 

Art360 Foundation x ICF Curatorial Residency

Hope Strickland selected as Curator/Researcher in Residence

at Art360 Foundation in partnership with International Curators Forum 


We are thrilled to announce that Hope Strickland has been selected as Curator/Researcher in Residence at Art360 Foundation working with the archive of British-Guyanese artist Aubrey Williams. The residency is designed to encourage and facilitate new and dynamic readings of Williams’ work and practice through an active engagement with the archive.

Supported by ICF, Hope will review the materials – such as exhibition documents, photographs, personal correspondence, press clippings and political documents – in the archive and develop a new strand of research and analysis over the coming months.

Hope Strickland is a visual artist and ethnographic researcher from Manchester, UK. Her interests span feminist ecologies, the Black radical imagination and archival response: previous projects include an experimental documentary with the Windrush generation in South Manchester, using both archival materials and footage shot in a day centre for the Caribbean elderly. Hope will be commencing a practice-led PhD at UCL this September, exploring Haitian, female water deities as an opportunity for Black agency and watery resistance.

Through a nation-wide open call in May 2020 Art360 Foundation and International Curators Forum invited curators and researchers interested in engaging with and developing work around Williams’ archive to apply for the opportunity.

Born in Guyana, Williams is credited as being one of the most important post-war British painters, noted for bringing together a spectrum of visual references and cultural perspectives in his work. Trained as an agronomist, Williams held an array of interests from pre-Columbian iconography, classical music and ornithology, and was a founding member of the Caribbean Artists Movement.

Williams’ archive is currently held at Art360 Foundation in London, and work on it archive was underway before Covid-19, with documentation and reporting on the contents of the archive close to completion. Although physical access to the archive won’t be possible until social isolation measures change, Hope will utilise existing records to begin preliminary research remotely. The residency will continue with direct access to the archive at a future date and will run until February 2021.

Images: Aubrey Williams Archive (c) Aubrey Williams Estate. Photo: Art360 Foundation.